When I was just a little girl
I asked my mother, what will I be
Will I be pretty, will I be rich
Here's what she said to me
Que Sera, Sera,
Whatever will be, will be
The future's not ours, to see
Que Sera, Sera
What will be, will be
Carine Roitfeld, Editor in Chief, French Vogue
When I was young, I fell in love
I asked my sweetheart what lies ahead
Will we have rainbows, day after day
Here's what my sweetheart said
Que Sera, Sera,
Whatever will be, will be
The future's not ours, to see
Que Sera, Sera
What will be, will be
Anna Wintour, Editor in Chief, American Vogue
Now I have children of my own
They ask their mother, what will I be
Will I be handsome, will I be rich
I tell them tenderly
Que Sera, Sera,
Whatever will be, will be
The future's not ours, to see
Que Sera, Sera
What will be, will be
Emanuelle Alt, Fashion Director, French Vogue
*Lyrics by Jay Livingston & Ray Evans
Sunday, August 16, 2009
Thursday, August 13, 2009
Hello, Kitty
Pop magazine is the cat's meow.
Karen Elson plays avid cat fan Grace Coddington for American Vogue.
Jane Fonda fools around with her furry friend.
Chloe Sevigny sure makes a cute kitty-cat.
Audrey Hepburn as Holly Golightly with the beloved 'Cat.'
Terry Richardson's calendar for Paris Vogue features this mesh-clad feline.
Here's proof: Lula Loves Cats
Meow,
Musette
Karen Elson plays avid cat fan Grace Coddington for American Vogue.
Jane Fonda fools around with her furry friend.
Chloe Sevigny sure makes a cute kitty-cat.
Audrey Hepburn as Holly Golightly with the beloved 'Cat.'
Terry Richardson's calendar for Paris Vogue features this mesh-clad feline.
Here's proof: Lula Loves Cats
Meow,
Musette
Monday, August 3, 2009
Past meets Present, Part 1
The present is constantly borrowing from the past. Fashion, art and music are all known for finding inspiration from practices and trends that were created at an earlier date. Enjoy a couple of iconic photographs while looking fondly on the editorials that either consciously or subconsciously borrowed from them.
Helmut Newton Private Property 1992
Newton lightens up an otherwise erotic look with a pair of over sized bunny ears.
Natalia Vodianova photographed by Alastair Mclellan for Russian Vogue
Vodianova looses the leotard but keeps the tights. Louis Vuitton's bendable bunny ears become her and leave us dreaming of the early 90's.
Richard Avedon Portrait of Sandra Bennet 1980
Avedon's haunting portraits from his series documenting the American West will forever be remembered as photography at it's very finest.
Peter Lindbergh Kate Moss 1994
Always one to make anything look chic, whether it be heroin or rural America, Kate Moss' overall clad portrait by Lindbergh is just about as recognizable as Avedon's one above.
Helmut Newton Private Property 1992
Newton lightens up an otherwise erotic look with a pair of over sized bunny ears.
Natalia Vodianova photographed by Alastair Mclellan for Russian Vogue
Vodianova looses the leotard but keeps the tights. Louis Vuitton's bendable bunny ears become her and leave us dreaming of the early 90's.
Richard Avedon Portrait of Sandra Bennet 1980
Avedon's haunting portraits from his series documenting the American West will forever be remembered as photography at it's very finest.
Peter Lindbergh Kate Moss 1994
Always one to make anything look chic, whether it be heroin or rural America, Kate Moss' overall clad portrait by Lindbergh is just about as recognizable as Avedon's one above.
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